A simple cushion, a statement center piece or an unusual print, whatever it might be that grabs you, that’s what you are likely to find here.
1940's MOBO Bronco Tin Horse
Price : €195
D. Sebel & Co. was founded in East London, England, in 1921 and made various metal products. It made metal furniture and toys beginning in the 1940s. The Mobo Bronco riding toy, the company’s best-known toy, was made from 1947 to 1972. When the rider pushed on the stirrups, the horse moved forward. The mechanism was patented in 1942, but production didn’t begin until 1947. Several different models of the horse were made. “Magic Steering” was added in 1950. The horse could be made to turn by pushing on one stirrup. The company opened a factory in Erith, Kent, England, in 1947 and a subsidiary in New York City in 1948. The Bronco was so popular that it stayed in production until 1971. Our Bronco is a 1940's model without the "Magic Steering".
The Thirteen “Cries of London” by Francis Wheatley.
Price : €595
The "Cries of London" was a recurring theme in English printmaking for over three centuries. These colourful prints form a visual record of London's "lower orders", the peddlars, charlatans, street hawkers, milkmaids, and grocers who made their living on the city streets. They give the viewer a glimpse of a long forgotten London where tradesmen would advertise their wares with a musical shout or a melodic rhyme. Different versions of the "Cries" vary in tone from idealistic visions of contented street vendors to satirical caricatures of humorous urban figures. One of the most famous series of "London Cries" is the group of pretty pictures executed by Francis Wheatley. Wheatley's series was immensely popular and enjoyed a long period of success in the English print shops. Between 1792 and 1795 Wheatley exhibited 14 paintings of the "Cries" at the Royal Academy. The pictures attracted a great deal of attention at the exhibition and Colnaghi & Co. quickly agreed to publish a series of engravings after Wheatley's famous series. Only thirteen of the fourteen paintings were engraved and they were offered for sale individually or in a portfolio collection. The prints, which were executed in stipple, were engraved by some the most noted engravers in England; artists such as Luigi Schiavonetti, Giovanni Vendramini and Thomas Gaugain all contributed their work to the series. Complete collections of the "Cries" remained immensely popular, and by 1910 they were fetching more than James Audubon's folio "Birds of America" at auction.